About this Event

๐‘‡๐‘‚๐‘Š๐ด๐‘…๐ท๐‘† ๐—–๐—œ๐Ÿฑ๐Ÿฎ 9-๐‘Š๐ธ๐ธ๐พ ๐น๐‘‚๐ถ๐‘ˆ๐‘†๐ธ๐ท ๐ฝ๐ด๐‘€ - space for the practice of Contact Improvisation with an emphasis on improvisation and performance - February, March, April, 2024 Koh Phangan, Thailand Due to the great curiosity of many to participate in the TOWARDS SPRING PROGRAM, we will have ๐Ÿ ๐น๐‘‚๐ถ๐‘ˆ๐‘†๐ธ๐ท ๐ฝ๐ด๐‘€๐‘† happening ๐‘จ๐‘ป ๐‘ป๐‘ฏ๐‘ฌ ๐‘บ๐‘จ๐‘ด๐‘ฌ ๐‘ป๐‘ฐ๐‘ด๐‘ฌ! ๐—ง๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ: 3.5 hour jam 6 days a week for 3 weeks of each month. ๐‘ป๐’‰๐’†๐’“๐’† ๐’˜๐’Š๐’๐’ ๐’ƒ๐’† ๐’๐’ ๐’„๐’๐’‚๐’”๐’”๐’†๐’”, only facilitated warm up/tuning intro. Once per week there will be โ€˜Sharing the Danceโ€™ open performance evening. The 9 weeks focused jam is an ๐’Š๐’๐’”๐’‘๐’Š๐’“๐’Š๐’๐’ˆ ๐’†๐’๐’—๐’Š๐’“๐’๐’๐’Ž๐’†๐’๐’• dedicated to Contact Improvisation, encouraging focused practice, continuity of attention, mutuality, collaborative attitude and creativity. This jam is for those interested in continuous practice in a focused way, with commitment to be there for most of the sessions whether it is 1 week or 9 weeks, coming on time and staying until the end, supporting the space by dancing and witnessing. ๐—š๐—ผ๐—ผ๐—ฑ ๐˜๐—ผ ๐—ธ๐—ป๐—ผ๐˜„: If you are looking for sensuality, sexuality orientated tantra and/or similar minded practices, ๐˜๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐—ป๐—ผ๐˜ ๐˜๐—ต๐—ฒ ๐—ฟ๐—ถ๐—ด๐—ต๐˜ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ for it. This focused jam is not for complete beginners. This is ๐—ฎ ๐—ฑ๐—ฟ๐˜‚๐—ด ๐—ณ๐—ฟ๐—ฒ๐—ฒ ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ, ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ผ๐—ฒ๐˜€ ๐—ป๐—ผ๐˜ ๐˜๐—ผ๐—น๐—ฒ๐—ฟ๐—ฎ๐˜๐—ฒ ๐˜๐—ต๐—ฒ ๐˜‚๐˜€๐—ฒ ๐—ผ๐—ณ ๐—บ๐—ฎ๐—ฟ๐—ถ๐—ท๐˜‚๐—ฎ๐—ป๐—ฎ, you cannot attend the event being under the influence. It is possible to attend the full 3 weeks of each month or on a weekly basis. Daily pass / drop-in is not possible. At the end of the event description you will find definitions of Contact Improvisation that reflects the mind of the space and its intentional qualities. ๐—ง๐—ต๐—ถ๐˜€ ๐—ฒ๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ถ๐˜€ ๐—ฏ๐—ฎ๐˜€๐—ฒ๐—ฑ ๐—ผ๐—ป ๐—ฑ๐—ผ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป. Donations will go towards supporting the scholarship for Towards ๐—–๐—œ๐Ÿฑ๐Ÿฎ Summer Program June, July 2024, Chiang Dao & International Contact Improvisation Conference in Thailand, November 2024, Chiang Dao. And towards the space rental and basic organizational costs of the 9 week Focused Jam. This is an initiative of Towards Foundation, a project of ๐—ง๐—ข๐—ช๐—”๐—ฅ๐——๐—ฆ - ๐—ฐ๐—ฒ๐—ป๐˜๐—ฟ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ผ๐—ณ ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—œ๐—บ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐—ง๐—ต๐—ฎ๐—ถ๐—น๐—ฎ๐—ป๐—ฑ / ๐—”๐˜€๐—ถ๐—ฎ. The scholarship program is for emerging and professional artists, facilitators / teachers, and those committed to the study of Contact Improvisation whose financial circumstances would otherwise not allow them to participate in the Conference. The Foundation's objective is to support accessibility, community development, artistic exchange; to create an inspiring, collaborative environment for personal and collective insight, growth and transformation. https://towards.contact/foundation/ ๐—ฆ๐—ฐ๐—ต๐—ฒ๐—ฑ๐˜‚๐—น๐—ฒ: 6 - 27 February 4 - 24 March 1 - 21 April Daily schedule coming soon. ๐—ฉ๐—ฒ๐—ป๐˜‚๐—ฒ: February: JARANS https://jaransphangan.com/ and SIAM HEALING CENTRE March & April: THE SOURCE KOH PHANGAN https://www.thesourcekpg.com and SIAM HEALING CENTRE ๐—ฅ๐—ฒ๐—ด๐—ถ๐˜€๐˜๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: It is possible to attend the full 3 weeks of each month or on a weekly basis. Daily pass / drop-in is not possible. The maximum group size of this event is 50 people. Each application will be reviewed and if accepted you will receive a confirmation no later than 1 month before. Priority of acceptance will go to those attending the Towards Program. FEBRUARY REGISTRATION: (FULL - waiting list) https://forms.gle/GCDjjK3JSqcPxu3P9 MARCH REGISTRATION: (places available only at SIAM) https://forms.gle/6ZazHp1gMxmAAJme8 APRIL REGISTRATION: https://forms.gle/DezCP8hgjcggMJg46 ADDITIONAL PROGRAM: Throughout the 9 weeks of jam there will be a program of various short and long durational workshops: Throughout the 9 weeks of jam there will be a program of various short and long durational workshops with Christina Dohr and Santiago Ortiz Heredia, Zuzanna Bukowski, Mario Ghezzi, Christine Cole, Reimar Wen Shen, Daniel Rojasanta, Francisco Borges and more. Intensive workshops: 27 February - 16 March - ๐—•๐—ฒ๐—ด๐—ถ๐—ป๐—ป๐—ฒ๐—ฟ๐˜€-๐—ง๐—ฒ๐—ฎ๐—ฐ๐—ต๐—ฒ๐—ฟ๐˜€ ๐˜€๐˜๐˜‚๐—ฑ๐˜† ๐—ฝ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ with Anjelika Doniy 20 - 29 March - ๐—•๐—ผ๐—ฑ๐˜† ๐—ง๐—ต๐—ฎ๐˜ ๐—–๐—ฎ๐—ป ๐—œ๐—ป๐˜๐—ฒ๐—ป๐˜€๐—ถ๐˜ƒ๐—ฒ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ ๐—ฎ๐—ป๐—ฑ ๐—Ÿ๐—ฎ๐—ฏ๐—ผ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜† with Ekaterina Basalaeva 2 - 10 April - ๐—˜๐—บ๐—ฝ๐˜๐˜† ๐—ฅ๐—ถ๐˜๐˜‚๐—ฎ๐—น๐˜€ ๐—ฅ๐—ฒ๐˜๐—ฟ๐—ฒ๐—ฎ๐˜ with Dolores Dewhurst Marks 15 - 30 April - ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐˜ ๐—–๐—ผ๐—ป๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฎ๐—ฟ๐˜ ๐—น๐—ฎ๐—ฏ๐—ผ๐—ฟ๐—ฎ๐˜๐—ผ๐—ฟ๐˜† with Sasha Dodo Check the website for details: https://towards.contact Beside the program, there will be other CI events happening on Koh Phangan, including regular classes and jams. ๐—ข๐—ฟ๐—ด๐—ฎ๐—ป๐—ถ๐˜€๐—ฒ๐—ฟ๐˜€ of the Focused Jam: Sasha Dodo & Dolores Dewhurst Marks Please direct your inquires to: [email protected] Here are definitions of Contact Improvisation that reflect the mind of the space and its intentional qualities, made by ๐—ฆ๐˜๐—ฒ๐˜ƒ๐—ฒ ๐—ฃ๐—ฎ๐˜…๐˜๐—ผ๐—ป (the originator of CI): "Contact Improvisation is an evolving system of movement initiated in 1972 by American choreographer Steve Paxton. The improvised dance form is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their motion โ€”gravity, momentum, inertia. The body, in order to open to these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner. Contact improvisations are spontaneous physical dialogues that range from stillness to highly energetic exchanges. Alertness is developed in order to work in an energetic state of physical disorientation, trusting in one's basic survival instincts. It is a free play with balance, self-correcting the wrong moves and reinforcing the right ones, bringing forth a physical/emotional truth about a shared moment of movement that leaves the participants informed, centered, and enlivened." โ€”1970s โ€The exigency of the form dictates a mode of movement which is relaxed, constantly aware and prepared, and onflowing. As a basic focus, the dancers remain in physical touch, mutually supportive and innovative, meditating upon the physical laws relating to their masses: gravity, momentum, inertia, and friction. They do not strive to achieve results, but rather, to meet the constantly changing physical reality with appropriate placement and energy.โ€ โ€”1979 "The reason its called contact improvisation because there is a 3rd entity that arises in this state. Hopefully you get to a state of agreement between the two of you that neither one of you is leading. It doesnโ€™t become leaderless, it is the two of you who are together leading." โ€”2015 โ€ "It is not a dance about you, or your partner. It is a dance about its movement." โ€”2022

Dance Styles

Contact Improvisation (100%)

Organizer

S

Sasha Dรธdรธ

D

Dolores Dewhurst Marks

T

Towards - Centre for Embodied Arts and Transformative Learning