About this Event
๐๐๐๐ด๐
๐ท๐ ๐๐๐ฑ๐ฎ
9-๐๐ธ๐ธ๐พ ๐น๐๐ถ๐๐๐ธ๐ท ๐ฝ๐ด๐
- space for the practice of Contact Improvisation with an emphasis on improvisation and performance -
February, March, April, 2024
Koh Phangan, Thailand
Due to the great curiosity of many to participate in the TOWARDS SPRING PROGRAM, we will have ๐ ๐น๐๐ถ๐๐๐ธ๐ท ๐ฝ๐ด๐๐ happening ๐จ๐ป ๐ป๐ฏ๐ฌ ๐บ๐จ๐ด๐ฌ ๐ป๐ฐ๐ด๐ฌ!
๐ง๐ต๐ฒ ๐ฝ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ:
3.5 hour jam 6 days a week for 3 weeks of each month.
๐ป๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐, only facilitated warm up/tuning intro.
Once per week there will be โSharing the Danceโ open performance evening.
The 9 weeks focused jam is an ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐ dedicated to Contact Improvisation, encouraging focused practice, continuity of attention, mutuality, collaborative attitude and creativity.
This jam is for those interested in continuous practice in a focused way, with commitment to be there for most of the sessions whether it is 1 week or 9 weeks, coming on time and staying until the end, supporting the space by dancing and witnessing.
๐๐ผ๐ผ๐ฑ ๐๐ผ ๐ธ๐ป๐ผ๐:
If you are looking for sensuality, sexuality orientated tantra and/or similar minded practices, ๐๐ต๐ถ๐ ๐ถ๐ ๐ป๐ผ๐ ๐๐ต๐ฒ ๐ฟ๐ถ๐ด๐ต๐ ๐ฝ๐น๐ฎ๐ฐ๐ฒ for it.
This focused jam is not for complete beginners.
This is ๐ฎ ๐ฑ๐ฟ๐๐ด ๐ณ๐ฟ๐ฒ๐ฒ ๐๐ฝ๐ฎ๐ฐ๐ฒ, ๐ฎ๐ป๐ฑ ๐ฑ๐ผ๐ฒ๐ ๐ป๐ผ๐ ๐๐ผ๐น๐ฒ๐ฟ๐ฎ๐๐ฒ ๐๐ต๐ฒ ๐๐๐ฒ ๐ผ๐ณ ๐บ๐ฎ๐ฟ๐ถ๐ท๐๐ฎ๐ป๐ฎ, you cannot attend the event being under the influence.
It is possible to attend the full 3 weeks of each month or on a weekly basis. Daily pass / drop-in is not possible.
At the end of the event description you will find definitions of Contact Improvisation that reflects the mind of the space and its intentional qualities.
๐ง๐ต๐ถ๐ ๐ฒ๐๐ฒ๐ป๐ ๐ถ๐ ๐ฏ๐ฎ๐๐ฒ๐ฑ ๐ผ๐ป ๐ฑ๐ผ๐ป๐ฎ๐๐ถ๐ผ๐ป.
Donations will go towards supporting the scholarship for Towards ๐๐๐ฑ๐ฎ Summer Program June, July 2024, Chiang Dao & International Contact Improvisation Conference in Thailand, November 2024, Chiang Dao. And towards the space rental and basic organizational costs of the 9 week Focused Jam.
This is an initiative of Towards Foundation, a project of ๐ง๐ข๐ช๐๐ฅ๐๐ฆ - ๐ฐ๐ฒ๐ป๐๐ฟ๐ฒ ๐ณ๐ผ๐ฟ ๐๐ต๐ฒ ๐ฝ๐ฟ๐ฎ๐ฐ๐๐ถ๐ฐ๐ฒ ๐ฎ๐ป๐ฑ ๐ฟ๐ฒ๐๐ฒ๐ฎ๐ฟ๐ฐ๐ต ๐ผ๐ณ ๐๐ผ๐ป๐๐ฎ๐ฐ๐ ๐๐บ๐ฝ๐ฟ๐ผ๐๐ถ๐๐ฎ๐๐ถ๐ผ๐ป ๐ถ๐ป ๐ง๐ต๐ฎ๐ถ๐น๐ฎ๐ป๐ฑ / ๐๐๐ถ๐ฎ.
The scholarship program is for emerging and professional artists, facilitators / teachers, and those committed to the study of Contact Improvisation whose financial circumstances would otherwise not allow them to participate in the Conference.
The Foundation's objective is to support accessibility, community development, artistic exchange; to create an inspiring, collaborative environment for personal and collective insight, growth and transformation.
https://towards.contact/foundation/
๐ฆ๐ฐ๐ต๐ฒ๐ฑ๐๐น๐ฒ:
6 - 27 February
4 - 24 March
1 - 21 April
Daily schedule coming soon.
๐ฉ๐ฒ๐ป๐๐ฒ:
February:
JARANS
https://jaransphangan.com/
and SIAM HEALING CENTRE
March & April:
THE SOURCE KOH PHANGAN
https://www.thesourcekpg.com
and SIAM HEALING CENTRE
๐ฅ๐ฒ๐ด๐ถ๐๐๐ฟ๐ฎ๐๐ถ๐ผ๐ป:
It is possible to attend the full 3 weeks of each month or on a weekly basis. Daily pass / drop-in is not possible.
The maximum group size of this event is 50 people. Each application will be reviewed and if accepted you will receive a confirmation no later than 1 month before. Priority of acceptance will go to those attending the Towards Program.
FEBRUARY REGISTRATION: (FULL - waiting list)
https://forms.gle/GCDjjK3JSqcPxu3P9
MARCH REGISTRATION: (places available only at SIAM)
https://forms.gle/6ZazHp1gMxmAAJme8
APRIL REGISTRATION:
https://forms.gle/DezCP8hgjcggMJg46
ADDITIONAL PROGRAM:
Throughout the 9 weeks of jam there will be a program of various short and long durational workshops:
Throughout the 9 weeks of jam there will be a program of various short and long durational workshops with Christina Dohr and Santiago Ortiz Heredia, Zuzanna Bukowski, Mario Ghezzi, Christine Cole, Reimar Wen Shen, Daniel Rojasanta, Francisco Borges and more.
Intensive workshops:
27 February - 16 March - ๐๐ฒ๐ด๐ถ๐ป๐ป๐ฒ๐ฟ๐-๐ง๐ฒ๐ฎ๐ฐ๐ต๐ฒ๐ฟ๐ ๐๐๐๐ฑ๐ ๐ฝ๐ฟ๐ผ๐ด๐ฟ๐ฎ๐บ with Anjelika Doniy
20 - 29 March - ๐๐ผ๐ฑ๐ ๐ง๐ต๐ฎ๐ ๐๐ฎ๐ป ๐๐ป๐๐ฒ๐ป๐๐ถ๐๐ฒ ๐๐ผ๐ฟ๐ธ๐๐ต๐ผ๐ฝ ๐ฎ๐ป๐ฑ ๐๐ฎ๐ฏ๐ผ๐ฟ๐ฎ๐๐ผ๐ฟ๐ with Ekaterina Basalaeva
2 - 10 April - ๐๐บ๐ฝ๐๐ ๐ฅ๐ถ๐๐๐ฎ๐น๐ ๐ฅ๐ฒ๐๐ฟ๐ฒ๐ฎ๐ with Dolores Dewhurst Marks
15 - 30 April - ๐ฆ๐ถ๐น๐ฒ๐ป๐ ๐๐ผ๐ป๐๐ฒ๐ฟ๐๐ฎ๐๐ถ๐ผ๐ป๐ ๐ฎ๐ฟ๐ ๐น๐ฎ๐ฏ๐ผ๐ฟ๐ฎ๐๐ผ๐ฟ๐ with Sasha Dodo
Check the website for details: https://towards.contact
Beside the program, there will be other CI events happening on Koh Phangan, including regular classes and jams.
๐ข๐ฟ๐ด๐ฎ๐ป๐ถ๐๐ฒ๐ฟ๐ of the Focused Jam:
Sasha Dodo & Dolores Dewhurst Marks
Please direct your inquires to: [email protected]
Here are definitions of Contact Improvisation that reflect the mind of the space and its intentional qualities, made by ๐ฆ๐๐ฒ๐๐ฒ ๐ฃ๐ฎ๐
๐๐ผ๐ป (the originator of CI):
"Contact Improvisation is an evolving system of movement initiated in 1972 by American choreographer Steve Paxton. The improvised dance form is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their motion โgravity, momentum, inertia. The body, in order to open to these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner.
Contact improvisations are spontaneous physical dialogues that range from stillness to highly energetic exchanges. Alertness is developed in order to work in an energetic state of physical disorientation, trusting in one's basic survival instincts. It is a free play with balance, self-correcting the wrong moves and reinforcing the right ones, bringing forth a physical/emotional truth about a shared moment of movement that leaves the participants informed, centered, and enlivened."
โ1970s
โThe exigency of the form dictates a mode of movement which is relaxed, constantly aware and prepared, and onflowing. As a basic focus, the dancers remain in physical touch, mutually supportive and innovative, meditating upon the physical laws relating to their masses: gravity, momentum, inertia, and friction. They do not strive to achieve results, but rather, to meet the constantly changing physical reality with appropriate placement and energy.โ
โ1979
"The reason its called contact improvisation because there is a 3rd entity that arises in this state. Hopefully you get to a state of agreement between the two of you that neither one of you is leading. It doesnโt become leaderless, it is the two of you who are together leading."
โ2015
โ
"It is not a dance about you, or your partner. It is a dance about its movement."
โ2022
Dance Styles
Contact Improvisation (100%)
Organizer
S
Sasha Dรธdรธ
D
Dolores Dewhurst Marks
T
