About this Event

๐—–๐—œ๐Ÿฑ๐Ÿฎ ๐—ฆ๐—จ๐— ๐— ๐—˜๐—ฅ ๐—ฅ๐—˜๐—ฆ๐—œ๐——๐—˜๐—ก๐—–๐—ฌ ๐—ฃ๐—ฅ๐—ข๐—š๐—ฅ๐—”๐—  ๐—œ๐—ก๐—ฉ๐—œ๐—ง๐—”๐—ง๐—œ๐—ข๐—ก This year Steve Paxton originator of CI passed away. Filled with gratitude and inspiration we are delighted to invite you to join Towards CI52 Summer Residency 2024. The program is open for most participants to pay what they can afford. The towards foundation supports those who want to participate but because of their financial circumstances cannot afford to pay the regular price to join. We will find the way to support as much as possible, depending on resources of the foundation we gather through our recent projects and initiatives. Acceptance will be based on application, in which your current interest and motivation in participation will be considered. If you are willing to support the towards foundation you can contribute more than a regular price mentioned in registration form. For more information visit https://towards.contact/foundation/ Part 2: ๐—œ๐—ก๐—ฆ๐—ฃ๐—œ๐—ฅ๐—”๐—Ÿ - 21 day Contact Improvisation Intensive workshop with ๐—ฆ๐—ฎ๐˜€๐—ต๐—ฎ ๐——๐—ผ๐—ฑ๐—ผ and ๐——๐—ผ๐—น๐—ผ๐—ฟ๐—ฒ๐˜€ ๐——๐—ฒ๐˜„๐—ต๐˜‚๐—ฟ๐˜€๐˜-๐— ๐—ฎ๐—ฟ๐—ธ๐˜€ 17 June - 7 July 2024 Chiang Dao, Thailand ๐—ง๐—ต๐—ถ๐˜€ ๐˜„๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ ๐—ถ๐˜€ ๐—ฑ๐—ฒ๐˜€๐—ถ๐—ด๐—ป๐—ฒ๐—ฑ ๐˜๐—ผ ๐—ฝ๐—ฟ๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐—ฒ ๐—ฏ๐—ผ๐—ฑ๐˜†-๐—บ๐—ถ๐—ป๐—ฑ ๐—ณ๐—ผ๐—ฟ ๐—ฐ๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—ถ๐—บ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป; ๐˜๐—ผ ๐—ฏ๐—ฟ๐—ถ๐—ป๐—ด ๐—ฒ๐—บ๐—ฏ๐—ผ๐—ฑ๐—ถ๐—ฒ๐—ฑ ๐˜‚๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐˜๐—ฎ๐—ป๐—ฑ๐—ถ๐—ป๐—ด ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐—ฑ๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ๐—บ, ๐—ถ๐˜๐˜€ ๐—ณ๐˜‚๐—ป๐—ฑ๐—ฎ๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—น ๐—ฝ๐—ฟ๐—ผ๐—ฝ๐—ผ๐˜€๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ถ๐—ป๐—ฐ๐—ถ๐—ฝ๐—น๐—ฒ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ผ๐—ฝ๐—ฒ๐—ป ๐—ฝ๐—ฟ๐—ผ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐˜€ ๐—ผf ๐—ถ๐˜๐˜€ current and ๐—ฝ๐—ผ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น ๐—ฑ๐—ฒ๐˜ƒ๐—ฒ๐—น๐—ผ๐—ฝ๐—บ๐—ฒ๐—ป๐˜. Contact Improvisation is a ๐‘š๐‘ข๐‘™๐‘ก๐‘–๐‘๐‘™๐‘’๐‘ฅ practice; ๐‘๐‘œ๐‘›๐‘ ๐‘–๐‘ ๐‘ก๐‘–๐‘›๐‘” ๐‘œ๐‘“ ๐‘š๐‘Ž๐‘›๐‘ฆ ๐‘’๐‘™๐‘’๐‘š๐‘’๐‘›๐‘ก๐‘  ๐‘–๐‘› ๐‘Ž ๐‘๐‘œ๐‘š๐‘๐‘™๐‘’๐‘ฅ ๐‘Ÿ๐‘’๐‘™๐‘Ž๐‘ก๐‘–๐‘œ๐‘›๐‘ โ„Ž๐‘–๐‘. It requires preparation and understanding of its origins and development. Inspiral workshop embraces its current state, not only as a research-based movement form, but also as a phenomenon impacting, contributing and transforming artistic, socio-political, therapeutic, and spiritual fields. The format of the workshop and it's duration offers ๐—ถ๐—ป-๐—ฑ๐—ฒ๐—ฝ๐˜๐—ต ๐˜€๐˜๐˜‚๐—ฑ๐˜†, ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐˜€ ๐—ฐ๐—ผ๐—ป๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ณ๐—ผ๐—ฟ ๐—ถ๐—ป๐˜๐—ฒ๐—ด๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป. The word ๐˜๐˜ฏ๐˜ด๐˜ฑ๐˜ช๐˜ณ๐˜ข๐˜ญ is a poetic term, a combined interplay of 'inspiration' and 'spiral' (in the context of the workshop it has to do more with inspiration than with spirals). In the following link you can find definitions of practice, which serve as the identity of this workshop: https://towards.contact/centre/ The program contains: a set of solo practices for preparing and tuning body-mind for contact improvisation / study and practice of falling and rolling / grounding through sensing gravity / principles of CI with emphasis on ๐—ฐ๐—ผ๐—ป๐˜๐—ถ๐—ป๐˜‚๐—ถ๐˜๐˜† ๐—ผ๐—ณ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป, ๐—บ๐˜‚๐˜๐˜‚๐—ฎ๐—น๐—น๐˜† ๐—ฐ๐—ผ๐—น๐—น๐—ฎ๐—ฏ๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฎ๐˜๐˜๐—ถ๐˜๐˜‚๐—ฑ๐—ฒ, ๐—ฒ๐—บ๐—ฏ๐—ผ๐—ฑ๐—ถ๐—ฒ๐—ฑ ๐—ถ๐—ป๐—พ๐˜‚๐—ถ๐—ฟ๐˜† ๐—ฎ๐—ป๐—ฑ ๐˜€๐—ฝ๐—ฎ๐˜๐—ถ๐—ฎ๐—น ๐—ฎ๐˜„๐—ฎ๐—ฟ๐—ฒ๐—ป๐—ฒ๐˜€๐˜€ / spherical and multidirectional orientation / whirling meditation and intentional disorientation / practicing in ensemble / learning by witnessing and writing. Referencing materials from ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—ค๐˜‚๐—ฎ๐—ฟ๐˜๐—ฒ๐—ฟ๐—น๐˜† ๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฎ๐—น, ๐—ฆ๐—ต๐—ฎ๐—ฟ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐——๐—ฎ๐—ป๐—ฐ๐—ฒ ๐—ฏ๐˜† ๐—–๐˜†๐—ป๐˜๐—ต๐—ถ๐—ฎ ๐—ก๐—ผ๐˜ƒ๐—ฎ๐—ฐ๐—ธ, ๐—–๐—ฎ๐˜‚๐—ด๐—ต๐˜ ๐—™๐—ฎ๐—น๐—น๐—ถ๐—ป๐—ด ๐—ฏ๐˜† ๐—ก๐—ฎ๐—ป๐—ฐ๐˜† ๐—ฆ๐˜๐—ฎ๐—ฟ๐—ธ-๐—ฆ๐—บ๐—ถ๐˜๐—ต, ๐— ๐—ฎ๐˜๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ถ๐—ป๐—ฒ ๐—ฏ๐˜† ๐—ฆ๐˜๐—ฒ๐˜ƒ๐—ฒ ๐—ฃ๐—ฎ๐˜…๐˜๐—ผ๐—ป, and other CI sources, including CI documentaries. Course material will also include additional reading and viewing assignments. There will be opportunities for self-study laboratories. The intensity of the workshop comes from its continuation. It will be helpful to approach it as ๐‘๐‘–๐‘™๐‘”๐‘Ÿ๐‘–๐‘š๐‘Ž๐‘”๐‘’; tuning to ๐—บ๐—ผ๐˜ƒ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต occurring challenging circumstances, which are ๐—ถ๐—ป๐˜€๐—ฒ๐—ฝ๐—ฎ๐—ฟ๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฝ๐—ผ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ฎ๐—น๐—น๐˜† ๐—ถ๐—ป๐˜€๐—ถ๐—ด๐—ต๐˜๐—ณ๐˜‚๐—น part of the process. The nature of the material ๐—ถ๐—ป๐—ฐ๐—น๐˜‚๐—ฑ๐—ฒ๐˜€ ๐—ฟ๐—ถ๐˜€๐—ธ ๐˜๐—ฎ๐—ธ๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฒ๐˜…๐—ฝ๐—ฒ๐—ฟ๐—ถ๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐˜๐—ถ๐—ผ๐—ป, ๐—ฒ๐—ป๐˜๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด ๐˜‚๐—ป๐—ธ๐—ป๐—ผ๐˜„๐—ป ๐˜๐—ฒ๐—ฟ๐—ฟ๐—ถ๐˜๐—ผ๐—ฟ๐—ถ๐—ฒ๐˜€ ๐˜๐—ต๐—ฎ๐˜ ๐—ฟ๐—ฒ๐—พ๐˜‚๐—ถ๐—ฟ๐—ฒ ๐—ฒ๐˜…๐˜๐—ฟ๐—ฎ ๐—ฎ๐˜๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ผ๐—ฟ ๐—ผ๐˜‚๐—ฟ๐˜€๐—ฒ๐—น๐˜ƒ๐—ฒ๐˜€, ๐—ผ๐˜‚๐—ฟ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ป๐—ฒ๐—ฟ๐˜€, ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ด๐—ฟ๐—ผ๐˜‚๐—ฝ ๐—ฝ๐—ฟ๐—ผ๐—ฐ๐—ฒ๐˜€๐˜€. As preparation for the workshop it is ๐—ป๐—ฒ๐—ฐ๐—ฒ๐˜€๐˜€๐—ฎ๐—ฟ๐˜† to practice ๐— ๐—ฎ๐˜๐—ฒ๐—ฟ๐—ถ๐—ฎ๐—น ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฝ๐—ถ๐—ป๐—ฒ ๐—ฏ๐˜† ๐—ฆ๐˜๐—ฒ๐˜ƒ๐—ฒ ๐—ฃ๐—ฎ๐˜…๐˜๐—ผ๐—ป. It is accessible via an online study platform: https://www.materialforthespine.com Full commitment and punctual attendance are required for each session. ๐—ก๐—ผ ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฎ๐—น ๐—ฝ๐—ฎ๐—ฟ๐˜๐—ถ๐—ฐ๐—ถ๐—ฝ๐—ฎ๐˜๐—ถ๐—ผ๐—ป. There are 25 places for each workshop and laboratory, including 12 scholarship places dedicated to emerging practitioners/teachers/artists who are unable to pay the low-income price. As well there are 8 places for researchers/artists in residency to join the whole summer program. Overall group size: 35-45 people. The approximate schedule will be: 4-6 hours teaching hours per day. Additional proposed focus labs and jams, as well as open labs and open jams. 1-2 days off per week, during which the studio will be available. ADDITIONAL PROGRAM 8 - 16 July In addition to the workshop there will be a further 7 days of FOCUSED JAM for the participants of Gavitude and Silent Conversations art laboratory, which will start 17th July. Focused Jam will be a space for integration, harvesting, and dance. The program will include optional laboratories, and performative events. VENUE The program will take place at the Youth Camp in Chiang Dao. The open-air dance space is situated right next to a big green field and a small stream and the venue is a 10-minute walk from a natural hot spring by the river. Chiang Dao is 1.5 hours North of Chiang Mai, it can be reached by public bus, taxi or with your own vehicle. FOOD Nourishing Thai and fusion vegetarian meals are included in the price. ACCOMMODATION Accommodation is not included in the price. There are 2 options for onsite accommodation: Camping space (bring your own tent) - 200THB/night (~โ‚ฌ5.5) Bed in a shared dormitory - 250THB/night (~โ‚ฌ7) Both options have a shared kitchen and bathrooms There are private bungalows for rent within walking distance. See photographs from the previous edition: https://towards.contact/gallery/ REGISTRATION ๐—”๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ณ๐—ผ๐—ฟ๐—บ: https://forms.gle/sZ4tgeDzQ9UusgnM7 We are curious to hear about your motivation and current interest/research in the practice. Itโ€™s important you are attuned to the proposition and its requirements; that you are ready to go through this 21-day process. Places are limited, each application will be reviewed and if accepted you will receive a confirmation within the next two week time. ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐˜ ๐—ฎ๐—ฝ๐—ฝ๐—น๐—ถ๐—ฐ๐—ฎ๐˜๐—ถ๐—ผ๐—ป: https://forms.gle/fzb6cpjSE3u87A3Z9 This opportunity is for dedicated researchers/artists/facilitators/teachers, whose interest is in supporting the dance form and larger community development, and who will actively take part in the program. There are 6 residency places available. Inspiral is an annual event, organized by ๐—ง๐—ข๐—ช๐—”๐—ฅ๐——๐—ฆ - ๐—ฎ ๐—ฐ๐—ฒ๐—ป๐˜๐—ฟ๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฝ๐—ฟ๐—ฎ๐—ฐ๐˜๐—ถ๐—ฐ๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐—ผ๐—ณ ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—œ๐—บ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ถ๐—ป ๐—ง๐—ต๐—ฎ๐—ถ๐—น๐—ฎ๐—ป๐—ฑ / ๐—”๐˜€๐—ถ๐—ฎ. ๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—ฆ๐—ฎ๐˜€๐—ต๐—ฎ & ๐——๐—ผ๐—น๐—ผ๐—ฟ๐—ฒ๐˜€: Sasha Dodo and Dolores Dewhurst-Marks are multidisciplinary artists working with poetry, dance improvisation and performance. Directing and curating: ๐—ฎ๐—ฟ๐˜ ๐—ฐ๐—ผ๐—ป๐˜๐—ถ๐—ป๐˜‚๐˜‚๐—บ ๐—ป๐—ผ๐—บ๐—ฎ๐—ฑ๐—ถ๐—ฐ ๐—ฟ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜†, designed for international artistic exchange, development and creation; ๐—ฟ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜€๐—ฒ ๐—ฟ๐—ถ๐˜ƒ๐—ฒ๐—ฟ๐˜€ ๐—ฐ๐—ผ๐—บ๐—ฝ๐—ฎ๐—ป๐˜†, a vehicle for their artistic work, interweaving movement, visual and poetry; ๐—ฏ๐—ฒ๐—ถ๐—ป๐—ด ๐—ป๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—ฝ๐—ฟ๐—ผ๐—ท๐—ฒ๐—ฐ๐˜, about connection with deeper self and the natural world, embodied poetry and dance with nature; t๐—ผ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ - centre for the practice and research of contact improvisation in Thailand / Asia. As well they are co-organizers of Thailand ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—œ๐—บ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ 2020-2021, ๐—ง๐—ผ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ CI50/51 ๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐—œ๐—บ๐—ฝ๐—ฟ๐—ผ๐˜ƒ๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—–๐—ผ๐—ป๐—ณ๐—ฒ๐—ฟ๐—ฒ๐—ป๐—ฐ๐—ฒ 2022-2023, ๐—•๐—ฒ๐—ถ๐—ป๐—ด ๐—ก๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—š๐—ฎ๐˜๐—ต๐—ฒ๐—ฟ๐—ถ๐—ป๐—ด 2022, ๐—•๐—ฒ๐—ถ๐—ป๐—ด ๐—ก๐—ฎ๐˜๐˜‚๐—ฟ๐—ฒ ๐—”๐—ฟ๐˜ ๐—ฅ๐—ฒ๐˜€๐—ถ๐—ฑ๐—ฒ๐—ป๐—ฐ๐˜† 2024, ๐—ง๐—ผ๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€ 6/9 week ๐—–๐—œ ๐—™๐—ผ๐—ฐ๐˜‚๐˜€๐—ฒ๐—ฑ ๐—๐—ฎ๐—บ 2023-2024, Towards CI52 International Contact Improvisation Conference in Thailand 2024 and ๐—ค๐˜‚๐—ถ๐—ฒ๐˜ ๐—ฎ๐—ป๐—ฑ ๐—ช๐—ถ๐—น๐—ฑ ๐—๐—ฎ๐—บ 2019-2024. In their work with CI, they are interested in encompassing and connecting practitioners to the past, present, and potential future of the form. As well as continuing to share inspirations from their own field of research about deeper integrity of action; the state in which attention, imagination and intuition are embodied in the process of improvisation and self is being expressed as an omnidirectional, collaborative and creative space of expanded awareness. They are interested in embodiment of the principles in other areas of their work and in everyday life. In recent years they have been experimenting with placing the practice in the context of a natural environment. In their organizational and artistic work, Contact Improvisation often serves as the under-lining connective tissue and source of inspiration, and it is one the central mediums for artistic expression. Their artistic work interweaves movement, visual and text, with an emphasis on poeticality that reveals contemplative vision, sense of interdependency and underlying presence of the unknown in everyday life. They are authors of ๐˜๐—ต๐—ฒ ๐—น๐—ผ๐˜€๐˜ ๐—ฝ๐—น๐—ฎ๐—ฐ๐—ฒ book of poetry. Their work with CI is largely influenced by the work of such artists: Steve Paxton, Nancy Stark Smith, Kirstie Simson, Nita Little, Ruslan Baranov, Lalitaraja Joachim Chandler, Ekaterina Basalaeva, Ming-Shen Ku, Anjelika Doniy, Bonnie Bainbridge Cohen and Anna Halprin. They offer an annual in-depth training of Contact Improvisation, Inspiral - month-long intensive. Furthermore, they offer Composing While Improvising - Dance Improvisation, poetry, performance workshop. As well CI is one of the mediums in the Being Nature Project. Visited countries: China, Thailand, Vietnam, Turkey, Italy, Spain, Germany, Romania, Bulgaria, Ukraine, Moldova, Sweden. Currently based in Thailand. As organizers of CI projects separately and together, they have collaborated with Kirstie Simson, Ming-Shen Ku, Anjelica Doniy, Ekaterina Baselaeva, Yasukichi Suzuki, Bari Kim, Mirva Makinen, Katya Mustonen, Bruno Caverna, Vega Luukkonen, Ruslan Baranov, Alexandra Soshnikova & Sergey Golovnea, Zuzanna Bukowski and many others. They are currently working on creating towards foundation, with the objective of supporting accessibility, community and artistic development. They are in the process of creating a permanent art residency. They envision a sustainable, inspiring and collaborative environment for personal and collective insight, growth and transformation. https://towards.contact/ More information: http://reverserivers.com/ https://artcontinuum.space https://www.beingnature.space

Dance Styles

Contact Improvisation (100%)

Pricing

Camping space:โ‚ฌ5.50
Bed in a shared dormitory:โ‚ฌ7.00

Organizer

S

Sasha Dรธdรธ

D

Dolores Dewhurst Marks

T

Towards - Centre for Embodied Arts and Transformative Learning

F

Fern Srip