WHAT A BODY CAN - CI Intensive w. Alessandro Rivellino

𝙒𝙃𝘼𝙏 𝘼 𝘽𝙊𝘿𝙔 𝘾𝘼𝙉 Alessandro has visited Denmark a few times before, and participants have been raving for him to return. The workshop focuses on the forces of contact improv. Gravity, Momentum, Listening...and more We’re very proud and happy to open our doors to Alessandro again. At the core of Alessandro's teaching is the amazement of body, movement, space, and curiosity. He opens up the field of CI in a playful and almost meditative way. We love his workshops and we think you will too… _____________________________________ 𝙒𝙃𝙀𝙉? • Fri Sep. 5th Jam 17.00 - 20.00 • Sat Sep. 6th 10.30 - 18.00 • Sun Sep. 7th 10.30 - 18.00 𝙒𝙃𝙀𝙍𝙀? • KATRINEDALS SKOLE Drama og Dansesal Vanløsevej 44 / Obs Indgang ved porten: Randbølvej 23 https://maps.app.goo.gl/HfyxTUyqGCE9vMj58 𝙋𝙍𝙄𝘾𝙀? (incl. Fridays open Jam) REGULAR 850 dkr https://buy.stripe.com/14A8wP55OfjL3MI4E9abK09 Jam Friday only 50 dkr https://buy.stripe.com/8x25kD55Ob3v9727QlabK0a Max number participants 26 _____________________________________ 𝙋𝙍𝙊𝙂𝙍𝘼𝙈: (Schedule may be subject to slight changes. - Friday September 5th Friday Jam 17.00 - 20.00 - Saturday September 6th First workshop day / Incl. Lunchbreak 10.30 - 18.00 - Sunday September 7th Second workshop day / Incl. Lunchbreak 10.30 - 18.00 _____________________________________ 𝘽𝙄𝙊 I have been living dance and contact improvisation in a surrendered way as a dancer for 20 years and as a teacher for 15 (if I do not count my childhood experiences) and I had the opportunity to travel to 30 countries, offering and having classes, intensive courses, workshops, residencies and Jams with different and experienced colleagues, which probably gave me a good “floor” to start with ‘not knowing with certain quality’ … I come from different dance schools at the somatic level and movement research, today I see that I have danced and taught a good part of my life and yet I feel that I have just started. In my practice I have been integrating various techniques and bringing the potential of dance to life. If I ask myself between my name and my body, the second one is the dearest, and if you ask about my deepest interest in dancing and teaching the answer would be around living questions related to dance itself, to the presence and to the Big Mystery. I hope through this illusion of you and I being separated, we can drop it, and go beyond our hanging names to explore the in-between field of existence to dance and be danced with and through the visible and invisible forces entangled at each single moment and find the way to be at the arch of beauty.